Photo credits: Rogier Boogaard
Performance, textiles, archival sound, ESP-32, platic, metal.
Partly veiled, the performer became a character that was both themselves and something
else. As the costume moved, its arm-like forms produced fragmented sounds derived
from archival recordings of the maypole ritual, connecting physical movement to cultural memory.
Part of Tactology Lab from Sounds Like Touch
Performed at Rewire Festival, The Hague (2026)
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From left to right: Moe Mustafa, Xenia Tsompanidou, Julia Fidder, Demi van Kuijk,
Radu Mihai
Tănasă, Vinith Bhandari
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Lucid Identity (2026 - present)
Locating Identity (2025-2026)
Photo credits: Anne Toonen
Photo credits: Anne Toonen
In ZGOMOT, the Romanian word for noise, sound, and tumult, I bring my grandmother’s voice close through conversations, field record ings, and listening exercises. In an interactive installation of radios, her surroundings resonate, alternated with fragmented memories.
Presented at:
ILFU: Exploring Stories Tivoli Vredenburg, Utrecht (2025)
Misty Fieds, Asten/Heusden (2025)
Nominated for the HKU Award 2025
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Negotiating Identity (2025)
DVR Collective x Radio Worm
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Presented at:
Carwash, Utrecht (2026)
A visual poem about the digital remains of a loved one.
Performed at
De Situatie PIP x Crossing Borders, The Hague (2024
Theater Studio de Bakkerij, Rotterdam (2024)
Photo credits: Vincent Amboy
Photo credits: Vincent Amboy
Mixed Media Performance: DIY instruments, metal, makey makey, sound, visuals, paper maché, plastic
A progressive musical play ground in the setting of a dystopian Dutch birthday party.
Presented at:
EKKO, Utrecht (2024)
In Between Junctures I search for the dividing line be-
tween reality and the staged. I invited the viewer to experience a public moment
with themselves in a bathroom from memory
Presented at:
Vechtclub, Utrecht (2023)
De Vrolijkheid x Stranded FM (2025)
Sounds From the WebSDR (2025)